Mana Oori Ramayanam Movie Rating : 2.75/5
Release Date : 07 October 2016
Starring : Prakash Raj & Priyamani
Director : Prakash Raj
Music Director : Ilaiyaraaja
Cinematography : Mukesh
Producer : Prakash Raj, Ramjee Narasimhan
Banner : Prakash Raj Productions
Once in while, Prakash Raj thinks of some exceptionally intriguing ventures and Mana Oori Ramayanam is one such film. The film which likewise stars Priyamani as the female lead has hit the screens today. How about we perceive how it is.
Mana Oori Ramayanam Movie Review :
Bhoojangam (Prakash Raj) has a name in his town. His cash and distinction as Dubai returned, offers weight to his words. He is encompassed by all female family and he supposes marriage for his 19-year-old little girl an answer for her apathetic conduct towards him. His relative insults him for his activities. He has a devotee in auto rickshaw driver Shiva (Satya). Bhoojangam has a couple of companions in the town like the tailor, lodging proprietor Kamath and couple of different heads who savor liquor the night in his shop. One night when Bhoojangam feels that he has no appreciation for his family he debilitates to not get back home for 2 to 3 days. On the same night, he meets a hooker Bangaram (Priyamani ) out and about and is enticed to invest some energy with her. Shiva breaks the arrangement for him and secures them his shop has Bhoojangam fears anyone watching them. In the interim, Shiva meets an executive Gidukki Srinivasarao (Prudhvi) a once understood chief why should looking discover a break by coordinating a motion picture with a well-known saint. He has an issue of overlooking his sack at spots and he overlooks his pack with script in Shiva’s auto. Shiva locks it inside the shop by misstep. Shiva and executive are gotten by police in tanked and drive case. What is by all accounts a straightforward hour plan transforms into a lockout and battle for pride?! Rest of the story needs to see on screen.
Interesting Points :
Despite the fact that the story sounds a bit infidelity, there is positively no vulgarity in the film. At the end of the day, Prakash Raj leads from the front and conveys a knockout execution. The way he showcases different feelings like indignation, anxiety and blame say a lot of his acting ability. Every one of his scenes with Priyamani has turned out entirely well.
30 years Prithvi is yet another highlight of the film. The way he gets stuck in a precarious circumstance and assumes the part of a disappointed chief is simply radiant. Youthful performing artist Satyadev makes a magnificent showing with regards to in his supporting part. He looks characteristic and every one of his scenes with Prithvi is entirely amusing.
Priyamani does what is required of her part and does not go over the edge. The whole film has an exciting component as the procedures get entirely intriguing for more often than not. The interim square and second 50% of the film are respectable.
Minus Points :
The initial fifteen minutes of the film are very moderate as the narrative of the film takes a ton of time to begin. Things get hindered amid this time as an excess of time has been taken to set up the characters and story.
Despite the fact that this is not a disadvantage, the topic of the film is to such an extent that the group of onlookers who look for consistent excitement may get frustrated with the procedures of the film.
Technical Aspects :
Prakash Raj goes into moment subtle elements and pleasantly handles the each part of the film. Right from the setup to the characters appeared, the residential community speculation and nativity has been taken care of entirely well.
Cinematography by Mukesh is not too bad and by the medium spending standard, the picture quality delivered by him ought to be lauded. He kept up a tone all through the film and never let his focal point overwhelm the scene.
Maestro Ilaiyaraja was utilized to form background music for the film alongside one tune. He did his employment yet one begin to expect parcel more from the man of his stature. Workmanship Direction was so straightforward and sensible adapting up to the topic.
The first story composed by Joy Mathew was more about how liberal a man can turn out to be once he begins trusting each shallow acclaim that cash can get him. It focuses on the hero and his family significantly to investigate their feelings without each other. Prakash Raj comes up short in drawing out the embodiment of the story despite the fact that he makes a watchable flick. Until and unless a story doesn’t give off an impression of being free streaming on screen with characters and scenes taking off, it just resembles a serial scene, best case scenario. 5 National Awardees met up however none deciphered that splendor on screen.
Mana Oori Ramayanam is a film for the select group of onlookers. On the other side, the genuine subject of the film may keep the family and general gathering of people for this weekend.